Kentigern and the Madman
A voice came through the wet, aching wood
where the madman lay − not of burn, bird or fox
nor the cry of taken prey
The urge to explore and celebrate all the kinds of lives of Planet Earth is stronger than ever, but the environmental and ecological crisis demands we also lift our eyes, and our voices, to species extinction and habitat loss, to what is happening to the forests and hills, the rivers and seas, our streets and gardens. The writer’s instinct to pay attention has never been more vital. Literature can help us to see the natural world – and our place in it – differently.
Edited by Kathleen Jamie and Chris Powici
The poems and essays in Issue Two of Paperboats show why we need to keep speaking about how beautiful, necessary, how lump-in-the-throat astonishing the lives on this planet can be, and how vulnerable they are – including human lives – to climate change and other perils. But there is hope on offer as well, in our capacity to re-imagine our place on earth, and in the too often-overlooked truth that we are neighbours not just to one another, but to the other lives with whom we share the earth. In their different ways, the writers throw these questions into the finest relief, with passion and compassion, with quiet (and unquiet) rage and humour, and with imagination and the keenest eye (and ear) for the world about them. This is urgent writing for an urgent time.
A voice came through the wet, aching wood
where the madman lay − not of burn, bird or fox
nor the cry of taken prey
Imagine endless blue, imagine an absence dumb
with extinction – polar bear, penguin, walrus, whale –
unfrozen oceans where once you could walk from
shore
Sic a drouth, watters recede
tae kythe fitdunts lang hidden,
merks left bi the clauts
o muckle craiturs plowterin
in a shallae sea
It was four o’clock in the late summer morning, still full dark now that the nights were stretching again but greying a little towards dawn.
If your garden grew a plant that won you fat
glossy rosettes, coffee, wine, drugs, and chic
bistro salads nine months a year
I want a protocol for the end
of Eurasian Starlings – clipped tones,
pronouncements and on the grouse moors
well-cured skins should hang at half mast,
Hurtled from high Blamanen by Bergen
to this resting-field at my door,
where they catch breath for the next flight.
The Black Burn’s origins were dark and mysterious. It emerged ten feet broad and several inches deep from between two hedges of scruffy hawthorn
Years since we walked this way. We’ve forgotten
the landmarks; loggers
have cleared much of the woodland.
Bald slopes are littered with tree-trash.
in which I was lost, carrying
a colourless cloud of grief
in a close half-dark. Roots grasped at me;
moss underfoot was radioactive green.
wild nature means a place
being no less wild than things are
by their nature
The coca-cola water of this river
pours and pools in sudden calm
between the rocky arms of land,
and here an otter coils
We heard them long before we saw
the squabblers hove into view one night,
white bellied geese, lit from below
It’s been a while since I’ve been out, between work and the weather. Today the sun has emerged. A warm breeze blows down the glen.